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Ask an Expert Forum Stereo Phono Cartridge to both Stereo and Mono Amps
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Stereo Phono Cartridge to both Stereo and Mono Amps

TC_Walker
TC_Walker over 2 years ago

Hello,

I am interested in a project to take a stereo signal from a record needle cartridge and split the signal into a stereo amp and also a mono amp to be used at the same time (and independently with some switching). I have tried a couple of simple methods that negatively effected the stereo signal. I am thinking op amps might be a way to do this but I am unable to design this. Regardless of what method is used sharing your knowledge would be so greatly appreciated.

- Tom

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  • michaelkellett
    michaelkellett over 2 years ago +2
    Shabaz explains the principle in his message. (Although I think 1k resistors may be too low for some pre-amps) The problem is that a good mono mix is not made by adding the two channels of a stereo mix…
  • shabaz
    shabaz over 2 years ago in reply to michaelkellett +2
    Hi Michael, I found a reference to ceramic pickups on http://www.douglas-self.com/ampins/library/ampartew.htm which directed to a Wireless World article. In the August 1971 PDF issue of Wireless World…
  • michaelkellett
    michaelkellett over 2 years ago in reply to TC_Walker +2
    It looks as if you are going to try building a pre-amp based on the WW design. Meanwhile I have a little charge amplifier from Jan Cumps to test. He designed the board based on some suggestions from…
  • shabaz
    0 shabaz over 2 years ago

    Hi,

    There are lots of ways to approach this, ranging from simplistic to complex : )

    I don't know phono very well, but as I understand it may need a preamp first, with phone input, to sort out the cartridge response?

    If so, then from the output of the stereo preamp, you could try adding a couple of resistors (perhaps 1 kohm might work) as shown in the sketch below, and just see what happens. It might be fine, or it might not, depending on the output and input capabilities of the preamp and the power amps respectively. But it's a (very low-cost) start, and if you're not happy with this then you could try something else. 

    A more advanced option would be to implement a proper mixer with controls. Yet another option could be to do it in DSP if you need the mono output to have a different response (e.g. low-pass for a bass response on that channel). That's not particularly difficult, but of course is a bit more of a major project compared to the two resistors.

    image

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  • michaelkellett
    0 michaelkellett over 2 years ago

    Shabaz explains the principle in his message. (Although I think 1k resistors may be too low for some pre-amps)

    The problem is that a good mono mix is not made by adding the two channels of a stereo mix. The two resistors do as good a job as anything else but it may well not sound quite right.

    If you mean to feed two different amps you will need the preamp with RIAA equalization (if its a magnetic cartridge) or a high input impedance preamp (if its a ceramic cartridge).

    Can you describe your simple methods and the cartridge ?

    Are you willing to make the pre-amp yourself  ?

    MK

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  • TC_Walker
    0 TC_Walker over 2 years ago in reply to michaelkellett

    The turn table is of a 1953, Rock-Ola 1446, AKA Fireball Comet 120.  The cartridge is a TN4 and the tone arm wire is a three conductor 30AWG Shielded wire. The internal mono amp assembly is a Rock-Ola 18640-A Tube Amp with an internal 12" speaker and horn. The external Stereo amp is a Sony STRDH190 2-ch Home Stereo Receiver with Stereo Phono Input that I am using. 

    One of the simple methods I referred to was similar to what Shabaz described (1K Ohm) accept no preamp is used where shown. The mono sounded fine but stereo signal lost all its depth and dimension.

    The second method used I replaced the two resistors with two Iso Transformers (EI14/EI-14 Audio Coupling Isolation Transformer Audio Transformer 600:600 1:1) . When connected he Stereo signal strength dropped so low I had to turn the volume to 10 on the Sony and it was very tinny sounding. Due to the poor signal strength I was unable to determine any loss in stereo dimension. This might require a preamp before the Iso transformers. image

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  • michaelkellett
    0 michaelkellett over 2 years ago in reply to TC_Walker

    I'm pretty sure that the TN4 is a ceramic cartridge - it needs a load of at least 1M (and some say > 5M is much better). Without a detailed spec (which I couldn't find) it's not possible to be specific.

    Your isolating tramsformers are totally unsuitable (as you have found).

    The Sony amplifier is not intended for use with a ceramic cartridge and will not work well although, to some, it might be tolerable.

    You need to buy or make a suitable amplifier. (I couldn't find one to buy with a quick search.)

    Here's a link for a simple design:

    https://www.eeweb.com/preamp-stage-for-ceramic-phono-cartridge-or-violin-pickups/

    Beware, there are some very sill designs on the web as well !

    If you want to try building one then I can help a bit more.

    MK

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  • TC_Walker
    0 TC_Walker over 2 years ago in reply to michaelkellett

    MK,

    I am interested in building one. Further Understanding: Is this preamp part of the basis needed to separate a usable mono and stereo signal then?

    Tom

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  • michaelkellett
    0 michaelkellett over 2 years ago in reply to TC_Walker

    The signal from the ceramic cartridge needs to work into a very high impedance,  most amplifier inputs are not suitable unless actually intended for this.

    To make a mono signal you could just join the two outputs of the cartridge. These could connect directly to the valve (tube) amplifier but I'm not sure where the volume control is - the bass might be very weak due to the input impedance of the amplifier, but might be OK if this was what the amp was built for. This solution doesn't help with your Sony amplifier.

    A better scheme is to build a two channel pre-amp and have stereo outputs for the Sony amplifier (use its AUX input not the phono) and a mono output for the valve amp.

    Before I make a suggestion of a suitable circuit it would be good if you could give me an idea of your skill level:

    1) can do pcbs and surface mount

    2) OK with perf board and through hole soldering

    3) Not happy about soldering

    Grinning

    MK

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  • TC_Walker
    0 TC_Walker over 2 years ago in reply to michaelkellett

    Thanks MK, 

    The quick answer is 2, I'm OK with perf board and through hole soldering (I have done surface mount repairs on game systems using a microscope for this work but I have not created any PCB's since school in the 80's). Through hole will be great.

    Tom

    Below: This is a diagram of the Tube Amp. I have replaced the caps, resistors and poorly performing tubes. Sounds great!

    Tube Amp Diagram

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  • michaelkellett
    0 michaelkellett over 2 years ago in reply to TC_Walker

    The amplifier has a reasonable input impedance (1.5M). There doesn't seem to be a volume control anywhere, otherwise the ceramic cartridge could drive it directly (although there might not be enough gain). Is there a volume control off to the left somewhere ?

    MK

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  • TC_Walker
    0 TC_Walker over 2 years ago in reply to michaelkellett

    MK,

    Yes, here it is.
    volume schematic

    I should also mention there is a mute circuit for when the mechanicals are picking up and returning the record disk. In the tube amp circuit this is accomplished by grounding the B terminal. I am hopeful there is a way this can be incorporated into the stereo amplifier solution.

    existing mute circuit

    Thank you kindly for your time and consideration. I am much appreciative, thank you. - Tom

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  • shabaz
    0 shabaz over 2 years ago in reply to michaelkellett

    Hi Michael,

    I found a reference to ceramic pickups on http://www.douglas-self.com/ampins/library/ampartew.htm which directed to a Wireless World article.

    In the August 1971 PDF issue of Wireless World page the author of the article has a 'economy version' circuit (reproducing here since the PDF version is freely available):

    image

    and also a "luxury version" which is claimed to be compatible with many ceramic cartridges:

    image

    I know nothing about any pickup tech ceramic or otherwise! : ) so I have no idea if these circuits, or front end of these circuits, are any good or not.

    Nice that they use only easy-to-find BC109 though! The author must have had a whole bag of them to use : ) 

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