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What SoC should i use for this project?

flows

Okay this is my first time using a forum to ask something so apologies for my english and questions asking.

Whats is my project: I want to make my own controller to control LED strips for ambient lights behinde my tv. The LED's sync to what’s happening on the screen.

My plan: I want to take a hdmi input from a source (like chrome cast or gaming console), process the image and then pas the hdmi input, out to the tv, via hdmi out. To split the hdmi input to the SoC and the tv, i will use a seperate hdmi splitter, if it takes to much bandwith or prossecing power to pass trough via the SoC.

What does the image prossecing look like?: I want to take a avarage of the colors of a area. This area will be allong the sides of the screen. I also added a really ruf sketch of what i mean by area. The number of areas depend on the number of LED's around the screen. I am not sure if this is the final way i am going to do this, but this gives you a idea of what i mean by image prossecing.

image

To cut on procesing cost/time i think i will maybe down scale the image it needs to proccess. For example when you have a 4k image input, it needs to collect a lot of pixel color values, and take a average of them. While we maybe dont need that much detail. I dont know how far i will down scale the image, but i will know this after testing.

The qeustion: So now you know my plan, my qeustion is: What SoC should i use for this project? The main reason i ask this qeustion is because i dont know how much computing power it wil take to prosses a image this way. I know i can probably use a raspberry pi, but i also dont want to use a overpowerd SoC for this project. Also because i maybe want to produce more of these i need to think about cost.

Requirments:

   - It needs to have I/O pins (ofcourse)
   - There needs to be a way that i can have hdmi in (in to the SoC ofc) (it doenst have to be include on the SoC)
   - It needs to output data to the LED strip with a rate that it looks smooth to what happens on the screen (i dont know how many FPS that is, i think around 15-30 FPS)
   - (This isn't a must but it would make the project more intresseting) There needs to be a way it can have wifi (preferably onboard wifi)

More info:

   - I will be writing a "library" my self to controll the LED strip
   - The program wil be written in C++
   - For the image prossecing i think i will use the openCV library
   - I will use the WS2812B LED's

If you have any qeustions ask me!

I haven't tryed any SoC yet, i do have the raspberry pi 4 B at home.

Parents
  • 0

    If you use an external frame grabber then you should be able to reduce the video resolution substantially during the capture in order to reduce the processing required later on.

    If you use one which is UVC class compliant then you should be able to use it with a wide range of devices without having to worry about device driver support. (For a proof of concept you could perhaps start out with a USB webcam pointed at the screen).

  • 0 in reply to beacon_dave

    If they wanted to, the streaming firms could make these systems redundant overnight (ie. eliminate the need for image processors/grabbers etc), I don't know why they don't do it, since it would work better if there was prior information (e.g. metadata). No ideas if movies have that though! 

    I tried a simple experiment using DIY metadata controlling lights over BLE (since wiring would be messy too), and learned quite a bit; the BLE transmission time was more that repeatable enough for real-time effects. What was interesting was that while movies might have things that are supposed to occur immediately, that's not the case, (presumably because someone needs to sit on the set controlling the lighting manually!). For instance in this film, I think the lighting took a frame or two to disappear from the movie, compared to when the flame goes out on the match etc. I didn't reach a conclusion about if the metadata should be timed with the match flame (which is where eyes would be on) or the background lighting in the movie. Also the effect wasn't great with LCD screens that are still lit when dark; OLED would have been better!

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  • 0 in reply to beacon_dave

    If they wanted to, the streaming firms could make these systems redundant overnight (ie. eliminate the need for image processors/grabbers etc), I don't know why they don't do it, since it would work better if there was prior information (e.g. metadata). No ideas if movies have that though! 

    I tried a simple experiment using DIY metadata controlling lights over BLE (since wiring would be messy too), and learned quite a bit; the BLE transmission time was more that repeatable enough for real-time effects. What was interesting was that while movies might have things that are supposed to occur immediately, that's not the case, (presumably because someone needs to sit on the set controlling the lighting manually!). For instance in this film, I think the lighting took a frame or two to disappear from the movie, compared to when the flame goes out on the match etc. I didn't reach a conclusion about if the metadata should be timed with the match flame (which is where eyes would be on) or the background lighting in the movie. Also the effect wasn't great with LCD screens that are still lit when dark; OLED would have been better!

Children
  • 0 in reply to shabaz

    Nice.

    It's not quite 'IllumiRoom' but getting there Slight smile

    https://www.youtube.com/watch?v=aA5dNoangbo

    https://www.youtube.com/watch?v=re1EatGRV0w

    What was the actual viewing experience like ?

    The match in that movie gave a pretty consistent light output in the room despite it being waved around when being extinguished. Slight smile

  • 0 in reply to beacon_dave

    I just had a very quick read of that paper, clever system! Neat how they derive their input from different sources. Such a system would be very much feasible nowadays at a reasonable cost, since low-res projectors are cheap (high-res in unnecessary since it will be only used by peripheral vision).

    My prototype was using network messages too essentially, but for communication via BLE. And pre-programmed table of events at movie timestamps, which is not as universal, but probably a lot more feasible nowadays due to the amount of streamed content allowing such a thing to occur via app, without needing to adhere to standards like DVD, blu-ray etc.

    The effect was spooky (probably more so if it was an unfamiliar film, but I've seen that one plenty of times), since it's very unexpected for lighting to switch off entirely during a movie's dark scenes. Normally I have some dim lighting when watching a film, so it's quite disconcerting when all the room light is completely under autopilot, i.e. under control by the movie.

    I didn't apply dimming or colour changes, but that would have been near-zero additional effort, since it's all in the metadata quality. Worth doing for one or two cool movies I reckon! 

  • 0 in reply to shabaz

    Ten years ago the required hardware would still have been quite expensive. However MS Research appeared to turn away from enhanced displays towards fully immersive rooms with the likes of 'RoomAlive'

    https://www.youtube.com/watch?v=ILb5ExBzHqw

    but that would have been even more expensive due to the number of projectors and cameras to cover a room.

    Around the same time others like Lightform were using the projector + depth camera technology for automated projection mapping solutions with some interesting results

    https://www.youtube.com/watch?v=WtSlfSYBroA

    however need the tools and content for the average person to make the most of it.

    I guess films with the likes of sunrises and lightning strikes could work quite well with your metadata setup. Also you could perhaps play around with shadows by intentionally removing ambient light in the peripheral vision area for a  spooky effect. Also where the colourist has played around with tints to emphasise changes in mood or season, this could be applied behind the screen.